("HAR! HAR! HAR! DOG'S DON'T HUG! THAT'S SO FUNNY!")
This is a rare exception--a Marmaduke that's
actually clever:

Now we talk about progression of humor, often using the "rule of threes." (Usually follows a pattern: funny, funnier, funnest. Or normal, normal, absurd. Mix-and-match.) I consider Dilbert a perfect comic that exemplifies this progression. I call Dilbert "smart humor" because there's always a clever progression, not
just a clever observation or outrages situation. Notice how the first frame is always a 'funny' or 'absurd' setup. The second frame bounces off of the first frame's idea, and finally climaxes on the third.

Humor. There's a lot to it, and no, I don't know everything about it. Most of my experience is derived from trial and error (emphasize the error).
Basically, don't think
just a
clever statement is going to be funny when it's unsupported by context (i.e. it's "random"), or it's devoid of life-relevance (i.e. it's "pointless").
More notes coming soon regarding:
> Acknowledging excitement or funniness is the quickest way to snuff it out.
> Sarcasm is awesome, but what are the effects of excessive sarcasm? Is it different from dry humor?
> How to be "funny." Don't push it. (i.e. don't say to yourself, "I've
got to make these people laugh.")
> Slapstick humor: Laughing at other's misfortune? Or laughing at absurdity?
> If it's not true, it's not funny.